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A paragon of blue-eyed soul, Van Morrison
has been following his muse for four decades. His travels have
led him down pathways where he's explored soul, jazz, blues, rhythm
& blues, rock and roll, Celtic folk, pop balladry, and more,
forging a distinctive amalgam that has Morrison's passionate self-expression
at its core. With a minimum of hype or fanfare, working with a
craftsman's discipline and an artist-mystic's creativity, Morrison
has steadily amassed one of the great bodies of recorded work
in the 20th century. His discography numbers roughly thirty albums,
among them the deeply poetic song cycle Astral Weeks, the warm,
pop-soul classic Moondance and such spiritually minded later works
as the ambitious double-disc set Hymns to the Silence. At one
extreme, Morrison has made raw, angry blues-rock with the British
Invasion-era group Them. At the other, he has produced some of
the most transcendent, even-toned soul music of the modern era
as a solo artist.
Like Bob Dylan, he was one of the
first lyricists in rock and roll who was unafraid to expose the
spiritual and poetical sides of his being. Musically, he tended
more toward rhythm & blues than rock and roll, styling himself
as a disciple of Ray Charles and Mose Allison. His early bands,
the Monarchs and Them, combined soulful influences with youthful
fire and immediacy. Them made its mark on the Top Forty with the
edgy hits "Here Comes the Night" and "Gloria,"
the latter a Morrison-penned garage-rock classic. Envisioning
broader horizons, Morrison struck out on his own in 1967, quickly
launching himself with the evocative "Brown Eyed Girl."
The back-to-back release of Astral Weeks and Moondance in the
early Seventies established Morrison as a potent singer, songwriter,
bandleader and visionary. Although he proved capable of tapping
into the singles market with hooky R&B pop fare such as "Domino,"
"Wild Night" and "Wavelength," Morrison's
metier has been album-length meditations filled with (and about)
soul. His soulful delivery, mystical world view and gift for marrying
the casual, intimate panoramas of jazz with the succinct, soulful
impact of R&B has made him an icon of individuality in the
world of popular music.
Over the ensuing decades,
his career has been a model of artistic consistency and workmanlike
devotion. Heedless of trends and immune to fashion, Morrison has
never bowed to commercial demands and always created his music
with an almost defiant purity of intent. Many of his most mature
recordings, such as Into the Music, Beautiful Vision and A Sense
of Wonder, document his spiritual journey by drawing on literary-poetic
influences (such as the often-cited William Blake), set against
a backdrop of serene, ethereal musical soundscapes. More recently,
on such albums as 1993's Too Long in Exile, Morrison has returned
to his R&B roots without forsaking the ongoing quest for spiritual
enlightenment. An obvious influence on fellow musicians ranging
from Bruce Springsteen and Bob Seger to Sinead o'Connor and U2,
Morrison remains a beacon of artistic integrity, soulful conviction
and musical excellence.
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